The images — both beautiful and evocative — are culled from more than 300 hours of footage, much of it shot over two years by cinematographers Guy Mossman (“Sex Crimes Unit”, “Joan Rivers: A Piece of Work”)
The images — both beautiful and evocative — are culled from more than 300 hours of footage, much of it shot over two years by cinematographers Guy Mossman (“Sex Crimes Unit”, “Joan Rivers: A Piece of Work”)